Ricciolo

A flower at the end of a curling line

Ricciolo makes ornament part of the arm’s route. The narrow brass rises and turns back into a curl before carrying the broader glass flower. This gives the eye two scales to follow: the fine movement of the metal, then the open petals and their wavy edge. The glass concludes the branch rather than hiding it beneath a large enclosing shade.

The wall lights give this drawing two expressions. In the curlicue design, the rolled line itself is particularly clear; in the floral version, the brass branch and frosted glass make the plant-like subject more explicit. Their compact attachments leave the branch to describe its own silhouette against the wall. They can frame a mirror or mark a quieter part of a room without requiring a large central fitting.

The Ricciolo chandelier opens the floral drawing around a suspended centre. Separate white corollas occupy the ends of low, curved branches, while the curls gather nearer the body. This gives a table a fuller ornamental setting, with views left open between the arms. The wall forms offer the closer counterpart: the same attention to a curling line and a glass bloom, encountered against an architectural surface. Ricciolo belongs to our interior lighting for rooms where flowers can be part of the furniture’s design, as well as a decoration placed upon it.

Above a table, this arrangement can introduce a floral subject without turning the space overhead into a closed volume. Views through the branches remain open and the individual flowers can be distinguished around the centre. A plain wall or uncomplicated fabric nearby lets those curves retain their delicacy; wood and stone can add texture without repeating the flower motif.