Venezia

Our Venezia family combines richly decorated brass with clear hanging drops. Curved candle-style arms give the fittings their main outline; the finer transparent details loosen its lower edge. Wall lights and a chandelier bring this layered ornament into Italian-made decorative lighting.

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Venezia two-light brass wall lamp with hanging crystals beside a dark oak doorway.
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Classic brass wall lamp with crystal pendants baroque style by Ghidini 1849 - Finish: OBS Bronze Satin Brass Classic brass wall lamp with crystal pendants baroque style by Ghidini 1849 - Finish: OBS Bronze Satin Brass
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Classic Brass Wall Lamp with Crystals Venezia
Sale priceFrom €221,00
Baroque brass wall lamp with two lights and crystal pendants by Ghidini 1849 - Finish: OBS Bronze Satin Brass Baroque brass wall lamp with two lights and crystal pendants by Ghidini 1849 - Finish: OBS Bronze Satin Brass
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Baroque Brass Wall Lamp with Two Lights and Crystals Venezia
Sale priceFrom €348,00
Baroque brass chandelier with six lights and crystal pendants by Ghidini 1849 - Finish: OBS Bronze Satin Brass Baroque brass chandelier with six lights and crystal pendants by Ghidini 1849 - Finish: OBS Bronze Satin Brass
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Baroque Brass Chandelier with Six Lights and Crystals Venezia
Sale priceFrom €1.259,00
Baroque brass wall lamp with three lights and crystal pendants by Ghidini 1849 - Finish: OBS Bronze Satin Brass Baroque brass wall lamp with three lights and crystal pendants by Ghidini 1849 - Finish: OBS Bronze Satin Brass
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Baroque Brass Wall Lamp with Three Lights and Crystals
Sale priceFrom €471,00

Venezia

Venezia two-light brass wall lamp with hanging crystals beside a dark oak doorway.

A strong outline and a finer edge

Venezia’s richness comes from two different scales of ornament. The brass provides a firm framework: a worked plate, curling arms and upright candle-style holders. Clear drops hang beneath it, breaking the lower outline into smaller separate shapes. The background remains visible through this finer layer, so the fitting can be richly detailed without becoming a wholly solid mass.

The wall lights vary how widely that decoration unfolds. A single-arm form gathers it into one ornamental point; branching versions spread candle-style holders and hanging drops to either side. The worked attachment remains the centre at the wall, while the curved arms carry the finer details forward. Their depth is part of the design, visible in the space between the wall plate and the drops rather than only in a frontal silhouette.

Giving ornament a place to be seen

A quiet painted surface can make these layers particularly legible. Near a mirror, the plate offers an ornamented counterpart to the frame, while the drops extend the detail below the arms. Smooth fabrics and simpler furniture provide another useful contrast: their broad surfaces give the small hanging forms room to remain visible.

Choosing between these wall compositions is a question of proportion as well as decorative preference. A contained form can accompany a narrow space beside a mirror; a broader arrangement needs more wall around its branches. In our interior lighting, Venezia has a distinctly classical, baroque character: relief, curves and transparent pendants contribute to the furnishing in their own right.

The chandelier takes that relationship around a suspended centre. Instead of meeting the ornament against a wall, the room surrounds it. Its fuller composition can supply a principal decorative subject over simpler furnishings, with the transparent lower details keeping a finer edge beneath the brass. Venezia offers this richness through the object itself, without requiring every neighbouring piece to be equally elaborate.